Art - Virtual Gallery

Hyperglot Review is extremely proud to present AMORPHIC CHASMS, a show that has been more than six months in the making. In keeping with the thematic and aesthetic motifs of our previous shows, this show revisits how artistic expressions and processes evolve over time both for individual artists and for their audiences.

Meticulousness in deep aesthetical deliberations and precision in execution make the paintings of Padmanabh Bendre done between 2015 and 2017 appealing to the viewers. Bendre takes his inspiration from the Op Art Style that became a highly sought after art lingua during the 1960s as it heralded the arrival of other conceptual art practices.

Multifarious 5 is an exhibition that seeks to celebrate the rich spectrum of artistic expression by bringing together a diverse group of talented artists. In its fifth edition, the exhibition encourages artists to explore a myriad of topics that hold personal significance to them, fostering a dialogue on issues that resonate globally. Themes range from identity, social justice, society, and environmental concerns to personal reflections on love, resilience, and cultural heritage. Through this collaborative effort, Multifarious 5 aims to create an immersive and thought-provoking experience for the audience, inviting them to engage with art in its many forms.

Taking place annually in India's capital, New Delhi, the fair celebrates modern-day South Asia, combining cutting-edge contemporary visual art with modern masters and vernacular artistic traditions.

The exhibition Sublime Realities: An Alchemy of Perception exhibition at Shridharani Gallery, Triveni Kala Sangam, South Extension-II, New Delhi, Delhi 110049. This exhibition showcases the paintings and sculptures of two talented artists, Anju Kaushik and Rubkirat Vohra, who explore the themes of nature, spirituality, and transformation through their unique styles and techniques.

Revati Sharma Singh and Raj Shahani, have come together to present an exhibition titled “Colour, Stone, Chintz, Grain and Statue,” which showcases their emotions for objects that hold their culture close to them. Through their individual art practices, they travel back home to their roots, bringing back visuals and coloured canvases, reflecting life.

Act III is a exhibition which features the works of three renowned artists: Jinsook Shinde, Mahirwan Mamtani, and Vinita Karim. The exhibition showcases their latest creations, which reflect their artistic vision and expression. The exhibition is a celebration of their artistic journey, which spans over three decades and three continents.

Kaarigari Foundation is a non-profit initiative that aims to provide a platform for artists and architects to showcase their work and meet the right buyers. Kaarigari Foundation believes that India is a land of artists and art forms, and that every artist deserves recognition and appreciation. Kaarigari Foundation also acts as a bridge between artists and direct buyers, such as space designers, art curators, and interior designers, who are looking for art for commercial, public, or residential spaces.

Hyperglot Review's fourth exhibition REDRAWING ARTSCAPES, third in collaboration with HOLZIndia, has been curated with a special focus on emerging artists who have harnessed their creative ingenuity to create artworks that have the potential to ask questions about our existential conditions.

Interfaces - Part 2 scheduled to be held from 28-31 July will showcase exquisite prints by Olivier Deprez and Roby Comblain but will also embrace other genres such as paintings, sculpture, and mixed media with a special focus on emerging artists and women artists. It will provide an opportunity for younger artists to share the spotlight and interact with renowned artists during the exhibition.

INTERFACES is HOLZIndia's first exhibition in the country. HOLZIndia has been created through a collaboration between two groundbreaking art projects: HOLZ and INFUSED STORY. The event will be held at Gallerie Romain Rolland, Alliance Française de Delhi, Lodhi Road, New Delhi in association with Alliance Française de Delhi, the Embassy of France, the Embassy of Belgium, and Lalit Kala Akademi, New Delhi.

Hyperglot Review's first exhibition, Art for Paws, was a significant milestone in our mission to promote both established and emerging artists. We recognize that emerging artists often face barriers in gaining exposure and visibility, primarily due to economic and demographic constraints. With this exhibition, we aimed to provide coverage and support to these artists, fostering a diverse and inclusive artistic community.

“Spectrum of Creativity” featuring works by a diverse group of art- ists from various genres. The exhibition showcaes a range of artistic expressions that celebrate the rich and vibrant colours of creativity. Each artist has contributed their unique interpretation of the theme, bringing together a fasc nating mix of styles, techniques, and medi-ums.

The 'Of Divergent Practice: The Trajectory of Printmakers' exhibition at Dhoomimal Gallery, curated by Ina Puri and designed by Reha Sodhi, aims to highlight the significance of printmaking and draw in more participation from younger artists. The exhibit features works by the founding members of 'Multiple Encounters' and veteran artists who served as their mentors. The showcased prints range from non-representational to simple aesthetics inspired by Japanese space and abstraction.

Taking place annually in India's capital, New Delhi, the fair celebrates modern-day South Asia, combining cutting-edge contemporary visual art with modern masters and vernacular artistic traditions. Positioning art and the artist's voice at its core, the fair's programme draws together galleries and institutions, private foundations and arts charities, artists collectives and national museums, cultural events and festivals, enabling local and international audiences to engage in innovative ways with the cultural history and development of the region.

The Art of India exhibition honours the country's rich and diverse history of visual arts and crafts. India has an honoured tradition of creating exceptional artistic works that go back to the very beginning of human civilisation, producing incredible sculptures, paintings, architecture as well as innovative art forms. Art has always had a profound impact on humanity and served as a means of creative expression that allowed for individual perception.

Threading the Horizon: Propositions on Worldmaking through Socially Engaged Art Practice foregrounds the quotidian experience of violence experienced by women and gendered others explicated through acts of invisibility, exclusion, inequality and discrimination. In this entanglement of fourteen community-based projects across India, acts of resilience emerge

Active as an artist, photographer, designer and filmmaker over a period of nearly six decades, Gopi Gajwani has always achieved his discoveries through the dissolution of the singular image. Whether he works in charcoal or acrylic, or employs pastel or Chinese ink, or renders his paintings in oils, or explores a combination of charcoal and watercolour, Gopi invites us to savour the electricity of the line that he teases into currents and stipples, into stac

Through Wakefulness, A Night Rising presents a special body of work (from the early 1920s to the late 1950s) from across Mukherjee's travels and interests, including landscapes, figurations, flower studies, wood-cuts self-portraits as well as some post-blindness collages and compositions that create a memorable discourse around how vision appeared to him. Mukherjee's poignant reclamation of sight through intuition - replacing overt realism - suggests an unexpected but distinctive brand of late modernism in which individual perspective is prioritize

George Bataille introduced the notion of 'l'informe' - Formlessness. What Bataille means by Formlessness is that art should be brought down to earth, off of its pedestal where it has been standing since antiquity. For Bataille, creativity is in the process. The Formless, in a way, is abstract and indefinable - Bataille himself claims that a word has no definition. It is performative, rather than explanatory.In this exhibition, it is explored how these artists transcend from form to formlessness in

Zeenat Nagree writes “ Reimagining the meaning of being 'adrift at sea', Devika Sundar presents the internal expanse of the human body as aqueous forms that are unbound and untethered. In doing so, she brings out the uncanny echoes between us and bodies of water, in the way that they can be imaged, heard, and understood. This mode of enquiry emerged from Sundar's experiences with undiagnosed chronic pain a

Be it about alienation or issues of resistance; radical criticism of the socio- political systems or playful irony and banter about the 'bhadralok', you find a rich diversity and multiplicity in the image-making emerging from the region. Landscapes and geographies dwell on memory as much as the flux in the present environment and the churn of both. 'Bengal-nama' pays tribute to artistic practitioners who approach a