COLOUR. STONE. CHINTZ. GRAIN AND STATUE

Raj Shahani’s journey is a reflection of the complex relationship between art, identity, and history. He was born in Bombay, the son of migrants from Sindh, Pakistan, and he adapted to the changing world, initially pursuing product design. His path changed when he moved to New York, finding a passion for sculpting and the charm of Apsaras, heavenly dancers displayed in museums worldwide. Raj’s mission to restore broken Apsara statues resembles self-fulfillment and acceptance, similar to the Japanese ‘Kintsugi’ philosophy, which celebrates the beauty of imperfection. His artistic dedication aims to heal societal wounds in acceptance.

Revati Sharma Singh’s art practice is based on the journey of the growth of a grain, which manifests forms to recreate a universe through the catalyst that is the Earth. She creates an emotional response with her artworks. She explores the essence of the humble seed, the origin of creation, and the beginning and the end of all matter. These symbols of infinite potential are the theme of a multi-faceted symphony composed of terracotta, chintz, and metal - Revati Sharma Singh’s foundation of a universal language.